For the month of August, revisit these nostalgic works by our local filmmakers.
As a young nation with a complex blend of cultures, Singapore is sometimes overshadowed by its neighbouring countries’ rich historical heritage. Little do tourists know, our unique lineage is woven into the fabric of our modern city and the nuances of our lifestyles.
Singaporean cinema offers a window into the soul of our city, capturing the complexities of our social fabric, both past and present. Through these eight films, we travel back in time to witness the Singapore story – a narrative of resilience, innovation and the common aspiration to better ourselves for our loved ones.
Before Ah Boys to Men and 23:59, there was Army Daze (1996). This film, despite its cheesy moments, won attention as one of the first commercial efforts locally after 30 years, focusing on the familiar topic of military service. Based on Michael Chiang’s play, it struck a chord with local audiences for its use of Singlish and comedic portrayal of barracks life.
Produced by Cathay Asia Films and directed by Ong Keng Sen, the film follows protagonist Malcolm (Edward Yong) through enlistment and training. As the mummy’s boy navigates challenges in camp and the antics of his platoon mates, he learns life lessons, forms new friendships and showcases the resilience of young men during National Service.
Boo Junfeng’s Apprentice (2016) explores deep themes through the story of a young correctional officer learning the ropes from a retiring colleague – who is revealed to be the chief executioner responsible for his father’s death.
This hard-hitting English and Malay feature delves into redemption and duty, highlighting the conflicts they cause. With powerful performances by Firdaus Rahman and Wan Hanafi Su, the film provides an unflinching look at the ethics of the death penalty, making it a compelling entry in our film archives.
Watch on: Netflix
Is food truly the way to a person’s heart? In Sayang Disayang (2016), Sanif Olek explores this question by depicting the relationship between an Indonesian domestic worker and her Singaporean Malay employer.
After his wife’s death, Pak Harun becomes a grumpy widower who vents his anger on Murni, his caregiver – in particular, criticising her sambal goreng compared to his late wife’s superior version. Through this tension, Sanif weaves an emotional tale as Murni searches for the secret ingredient to win his approval. This film, Singapore’s first Malay-language feature since the 1970s, also showcases popular Malay ballads.
Watch on: meWATCH
Based on true events, Gurushetram – 24 Hours of Anger (2010) is a thrilling story of 17-year-old Prakash, who navigates a broken system while protecting his mentally challenged brother.
Seeking refuge with his uncle, Prakash soon discovers that he leads a criminal syndicate and involves the brothers in his illicit activities. As a police superintendent and a caring social worker enter the scene, the brothers face numerous obstacles, betrayals and deceptions. This fast-paced Tamil film offers a gritty look at lesser-explored themes in Singapore cinema.
Campy and endearing, 881 (2007) is the third film by Royston Tan, who previously earned acclaim for his more sombre and gritty films, 15 and 14:30. In contrast, 881 is a riotous dive into the colourful world of getai culture, exploring the sacrifices made for passion. The story centres on the Papaya Sisters, who fall in love with stage singing after watching a performance. Seeking fame, they appeal to a ‘goddess’ for help, who grants their wishes but warns of the pain they must endure.
Royston Tan’s authenticity in portraying subcultures shines through, despite the kitschy segments and ludicrous props like laser-shooting corsets. His finesse elicits laughter and tears from the audience, making the film both entertaining and moving.
Watch on: meWATCH
Our domestic helpers play an integral role in many households, and this relationship is deeply explored in the award-winning film Ilo Ilo (2013). The film sheds light on the emotional bonds between families and their helpers, highlighting the complex roles they fulfil while maintaining boundaries.
Anthony Chen’s script delves into the difficult dynamics of having a ‘stranger’ in the house, who gradually becomes a parental figure to a child. He tackles challenging topics such as abuse, neglect and growing pains with sensitivity and depth. This heartfelt piece, bolstered by a brilliant cast, has garnered numerous awards, including Singapore’s first Cannes Award, the prestigious Camera d’Or.
Watch on: Prime Video
Tiong Bahru Social Club (2020) is visually striking, with candy colours and symmetry reminiscent of Wes Anderson. Unabashedly quirky, it explores the eternal question of what makes one happy and how to achieve it.
Director Tan Bee Thiam envisions a parallel Tiong Bahru, where big data and algorithms chart residents’ happiness. Protagonist Ah Bee (Thomas Pang) joins the club as a Happiness Agent after losing his previous job. Initially, his nonchalance and robotic responses clash with the environment. However, as he spends more time with the residents and mentors, he begins to experience unfamiliar emotions that intrigue him. Is it happiness? There’s only one way to find out.
Watch on: Disney+
HomeTeamNS members, elevate your movie nights with Cathay Cineplexes’ exclusive 1-for-1 movie tickets. Enjoy any movie, any day of the week, at all Cathay Cineplexes across the island. Plus, treat yourself to a delicious snack set with popcorn and drinks for just $6.50 nett (U.P. $10).
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